Going All The Way (again) at The Red Key Tavern

Red Key Tavern

On Tuesday afternoon, August 18, we held a “socially distanced book signing” outside on the patio of The Red Key Tavern for the 50th anniversary of my novel Going All The Way. Twelve people signed up on my website to come at fifteen minute intervals from 5:00 p.m. to 7:30 p.m. My friend John Myers (a veteran of Korea) served as “Sergeant at Arms.” What a fine and appropriate way to celebrate the 50th anniversary of the novel!

This is part of a history that began during Christmas vacation of 1954, my senior year at Columbia. My Shortridge history teacher and friend, Dorothy Peterson, called me to say that Ted Steeg was home from Korea and he wanted to go to Columbia on the G.I. bill and would like to talk to me. Ted was in the Class of ’48 at Shortridge, two years ahead of me; he had been a star fullback for The Blue Devils and was elected ”Uglyman” – the most popular boy in the senior class. He went on to play for Wabash, and was a “Little [small college] All-American” as a defensive back. I had been a sports columnist and editor of The Shortidge Daily Echo two years after Ted graduated, and I was friendly with the jocks in my own class, so I felt socially qualified to hang out with Steeg. He called me and suggested we meet at The Red Key.

Like several other friends who had been in Korea, especially those who’d spent time in Japan, Ted had changed. The former football star/frat boy had started thinking outside the box. He was asking questions, of himself and of me (as well as of Indianapolis, America, and the world.) We sat at the end of the bar and talked and played the juke box and drank our beers and had a few more. Ted said he was going to start the M.A. in Literature program at Columbia in the spring semester, and he asked if he could stay with me when he got to New York. I explained I was living off campus in a basement apartment on West 77th street with only a single bed, a table and a chair, but he was welcome to stay on the concrete floor. One freezing night in February there was a knock at my door and I opened it to see Ted. He had a knapsack on his back, and he was holding a sleeping bag in one hand and a suitcase in the other. Our legend—our lifelong friendship—began.

50 Years of GATW
Buy Going All The Way at Amazon, Nook, or the App Store.

That meeting was given a fictionalized version in the novel when “Sonny” and “Gunner” meet on the train back to Indianapolis after their time in the service. It was fictionalized for film in the 1997 movie in the same two seats at the end of the bar in the Red Key with Ben Affleck as “Gunner” and Jeremy Davies as “Sonny.” When Gunner wants another beer he says “Hit me again, Russ,” in tribute to the late Russ Settle, the founder and owner of The Red Key Tavern. Russ is not seen in the movie but he actually served that beer—in “real life” in ’54 as well as in the movie in ‘97. The Red Key is now owned and operated by Russ’s son Jim, usually the bartender, aided by Jim’s wife Dolly (who makes the legendary chili and potato salad in their respective seasons) and his daughter Leslie, who is either behind the bar or waitressing or both, with the welcoming spirit that seems to be built into the place.

My super website and social media experts, SuperPixel, arranged for fifteen minute time slots for each signing, and eleven people signed up—two were not able to make it, but two others arrived by accident, so everything worked out. It rained that morning but the sun came out in the afternoon and the day was fair and fine. My friend Susan Neville, who is Indiana’s finest writer, was the first guest to have her copy of Going All The Way signed. I had asked Susan to bring her own new book, The Town of Whispering Dolls, a powerful and entrancing collection of stories that won the Catherine Doctorow Prize for the “Best Book of Innovative Fiction in 2019.” [That’s a national award.] I got so excited about Susan’s book that I read one of my favorite passages to the next guests, after I signed their copy of my novel.

Everyone who came was a winner, but the prize must go to the man who came directly from the hospital where he had just had his pacemaker replaced. He pulled up his t-shirt to show us the new bandage.

For $25, everyone got the novel, the author’s signature, and a beer from The Red Key. All proceeds went to The Red Key Tavern, which we think should be the first step in its being declared a Historic Monument.

Our bargain deal reminded me of an ad for the William H. Block department store touting one of its own bargains. It was written by an advertising copywriter for the store named Phoebe Hurty, who in 1938 hired Kurt Vonnegut to write about Block’s clothes for teenagers in The Shortridge Daily Echo. Vonnegut dedicated his novel Breakfast of Champions to Phoebe Hurty, and he quoted her work that he most admired:

“She wrote this ad for an end-of-the-summer sale on straw hats: ‘For prices like this, you can run them through your horses and put them on your roses.’”

Vonnegut felt he would never be as gracious in prose as Phoebe Hurty. I am not about to try.

Read Kurt Vonnegut’s review of Going All The Way here.

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Listen to the new Naptown podcast with Susan Neville

In these 10 episodes you’ll hear how my life intersected with major figures and events of the late 20th century.

Last year I sat down with fellow writer Susan Neville to talk about my life and working as a writer from the 1950s on.

In these 10 episodes you’ll hear the stories. The interviews were conducted at Butler University’s Irwin Library and on my front porch on Northview Avenue in Indianapolis. They were finished in May, 2020, the week before my 88th birthday.

ACKNOWLEDGEMENTS

These podcasts were made possible by grants from Indiana Humanities, the Ayres Fund of Butler University, and the Demia Butler Chair Fund.

A Dominique Weldon, Rory Deshner Production

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Oversexed in Indianapolis

Kurt Vonnegut’s 1970 review of Dan Wakefield‘s Going All the Way

Kurt Vonnegut's 'Wampeters, Foma and Granfalloons'
Kurt Vonnegut’s review of Dan Wakefield’s Going All the Way originally appeared in a 1970 issue of LIFE magazine and is currently published in his book of essays Wampeters, Foma and Granfalloons.

Dan Wakefield is a friend of mine. We both went to Shortridge High School in Indianapolis—where the students put out a daily paper, by the way. His publisher is my publisher. He has boomed my books. So I would praise his first novel, even if it were putrid. But I wouldn’t give my Word of Honor that it was good.

Word of Honor: Mr. Wakefield has been a careful and deep author of nonfiction for years—Island in the City, Revolt in the South, The Addict…The Atlantic Monthly gave him an issue all his own for Supernation at Peace and War. Word of Honor: He is also an important novelist now.

Going All the Way is about what hell it is to be oversexed in Indianapolis, and why so many oversexed people run away from there. It is also about the narrowness and dimness of many lives out that way. And I guarantee you this: Wakefield himself, having written this book, can never go home again. From now on, he will have to watch the 500-mile Speedway race on television.

This is a richer book than Portnoy’s Complaint, with wider concerns and more intricate characters, but the sexual problems are much the same. Wakefield shows us two horny young Hoosiers, and it is easy to imagine their meeting Alexander Portnoy in a Howard Johnson’s—midway between Indianapolis and New York. If they were candid with one another, they would admit that they were rotten lovers, and they might suppose mournfully that rotten lovers were not welcomed by women anywhere.

Going All the Way is a period of piece, incidentally—set in ancient times, at the close of the Korean War. And every book is a period piece now—since years or even weeks in American no longer resemble each other at all.

• • •

This book is full of belly laughs, but I am suspicious of belly laughs as entirely happy experiences. The only way to get a belly laugh, I’ve found, is to undermine a surface joke with more unhappiness than most mortals can bear.

After a series of low-comedy sexual failures, for instance, one of Wakefield’s heroes cuts his wrists lightly with a razor blade, “…so that rivulets of blood began to flow together, forming a thick little puddle.” That isn’t funny, and the scene becomes less funny as it goes on.

He started smearing the blood over his face and over the front of his torn shirt, like an Indian painting himself to prepare for a ceremony—a battle, a blessing, a death.

So much for sexual comedy. Nobody dies in the book, but a lot of people would like to, or at least wouldn’t mind. Wakefield’s reportage of life in Middle America, as one might expect, is gruesomely accurate and enchanting. His sex-addled fools tool their parents’ automobiles through a vast pinball machine whose bumpers and kickers are strip joints and taverns and gas stations and golf driving ranges and hamburger stands. They see whorehouses, which, it turns out, have been closed for years.

They return home periodically to their smug and vapid parents, grumpily declining to say where they’ve been. Their stomachs, already churning with hamburgers and beer, twist even more grotesquely when their parents want to know when they are going to settle down to nice jobs and nice wives and nice houses in Indianapolis.

Finally—there is a tremendous automobile crash. And, finally again, the wildly sexy novel isn’t a sex novel. It is really about a society so drab that sex seems to the young to be the only adventure with any magic in it. When sex turns out to be merely sex, the young flee to more of the same elsewhere—and they play dangerous games with, among other things, automobiles and razor blades.

How old are Wakefield’s protagonists? About the same age Ernest Hemingway was when he returned to Middle America as a quiet, wounded, authentic hero of World War One.

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Dan Wakefield

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